Posts Tagged ‘Bad Blood’

14 Films About New Zealand.

June 4, 2017

 Sam Neil, Sleeping Dogs (1977)

 

I tried to count all the feature films ever made in New Zealand but I have never been very good with numbers and got about halfway through the list before I lost my place. By the time I fumbled the third go I was over it so lets just say about 250 films have been made in New Zealand including television films and big screen feature films. This includes a handful of overseas productions that have been made entirely here and excludes dozens of others (mostly Hollywood and Bollywood) that have been partially made here.

The first feature was by Gaston Méliès brother of legendary pioneering French film director Georges Méliès (A Trip to the Moon 1902). The Méliès brothers were struggling financially and Gaston was sent out into the wider world in search of the exotic and hopefully a reversal of fortune. It didn’t work but Gaston managed to make three fictional narratives, one feature documentary and a series of documentary shorts.

The first of these was a film called Hinemoa (1913) of which no copies survive, but it’s the example that matters here. Gaston inspired the locals and in 1914 the first NZ film proper was made. This was also called Hinemoa and was based on the same story about a Maori princess and her lover. That we made any movies at all so early on is a miracle in itself considering the lack of population, resources and technology but that’s Kiwi’s for you – always keen to try new things using whatever is at hand.

It took until the 1980s for the industry to fully engage and another 20 years for it to build up a full head of steam. These days it is a major industry and is pumping out a regular diet of art, box office and blockbuster, some of it successful, some not.

As for the best of this New Zealand film, I am offering a subjective list that is mostly way off beam with the mainstream of thinking on the subject. A good friend, an authority in fact, thinks my Kiwi favourites are mostly ludicrous but to be fair, while his list is politically ‘correct’ it is also hard work as in “bloody hell, these films are difficult to watch.” We agree to disagree.

Except for Once Were Warriors nothing from the nations ‘go to’ agency – ‘New Zealand on Screen’ – is on my list. ‘New Zealand on Screen’ is a taxpayer-funded archive of all things film and television and the essential guide to New Zealand’s screen heritage.

 

NZ on Screen – List of Essential New Zealand Films:

 

Goodbye Pork Pie (1981)

Smash Palace (1981)

Utu (1983)

Vigil (1984)

The Piano (1993)

Heavenly Creatures (1994)

Once Were Warriors (1994)

Whale Rider (2002)

 

 

 

14 Films About New Zealand.

 

Beyond Reasonable Doubt (1983).

Dairy farmer Arthur Allen Thomas is accused of murdering his neighbours Harvey and Jeanette Crewe. The police can’t prove it so fix the evidence and have Thomas put away. Years of re-trails and government commissions follow before Thomas is finally set free and richly compensated.

For almost a decade this story gripped the nation and the whole sordid affair is neatly summed up in a film renowned film critic Roger Ebert called “remarkable”. The case has never been solved.

 

 

 

 

 

Bad Blood (1982).

Dairy farmer Stanley Graham is under pressure. He snaps and starts shooting people. Seven bodies later and Graham’s rampage is over. Based on actual events from the summer of 1941 this economical portrait of a man being undone by paranoia is a triumph for both British director Mike Newell (Harry Potter and the Goblet of Fire) and Aussie actor Jack Thompson (Graham).

PS No accident that two of films on this list are set on dairy farms. Dairy is our biggest brand and the farm can be an interesting place. Worth a look is fantasy/romance The Price of Milk (2000) and sheep farming drama Mahana (2016). The latter features the endlessly reliable Temuera Morrison (Jake the Muss from Once Were Warriors).

 

 

 

 

 

Out Of The Blue (2006)

In 1998 a man wrestling with demons and paranoia starts shooting the people of Aramoana. David Grey prowls about the village taking pot shots at pursuing police while locals hide as best they can.

Harrowing and intense, this ‘based on actual events’ thriller, is a formative example of ‘the cinema of unease’, a term coined by Kiwi film star Sam Neil to describe the nations brooding film style.

 

 

 

Once Were Warriors (1994).

‘Jake The Muss’ is disenfranchised and drinking heavily. His emotional state is precarious, his temper is explosive and his shell-shocked family is riding his chaotic wake, their heads barely above water.

We flocked to the cinema in our droves to see the worst of ourselves writ large on the big screen. It was huge success critically, culturally and financially. Director Lee Tamahori turned New Zealand cinema on its head and actor Temuera Morrison gave the performance of a lifetime. This is not just a great NZ film; this is great cinema.

 

 

 

What Becomes of the Broken Hearted? (1999)

Though not the cinematic powerhouse of Once Were Warriors, sequel What Become of the Broken Hearted has its moments. Jake has calmed down but still struggles with demons and misdemeanours. When his past stands up and slaps him in the face one day he finds himself at a turning point. On offer is opportunity for redemption and he is of two minds. Despite its occasional slide into predictability the film has enough heart to carry it through to a satisfying conclusion.

 

 

 

Forgotten Silver (1995)

Peter Jackson (The Hobbit, Lord of the Rings) is a force of nature but before the big Hollywood blockbusters came a whole other career that includes a couple of splatter films, a musical helmed by foul mouthed puppets and art-cinema classic Heavenly Creatures, based on another ‘true life’ Kiwi murder.

The killing narrative, it seems, is a right of passage in Kiwi film and Jackson’s done it twice. Controversial The Lovely Bones (2009) was poorly received but it has its defenders including me.

Documentary Forgotten Silver explores the life of pioneering Kiwi filmmaker Colin McKenzie whose achievements included the invention colour and sound film. But there is more, so much more. McKenzie, it appears was a towering genius, confirming the unspoken truth about NZ, that we are indeed a special and blessed people.

It turned out to be a well-executed hoax that left many red-faced and others outraged. It is my favourite Jackson and joke aside, it is a well-made film.

 

 

 

The Locals (2003).

The Waikato is better known as the land that powers the nations behemoth Dairy Industry but it has also been the locale for two of the more interesting films made in this country. The regions capital serves as the backdrop for Geoff Murphy’s 1985 sci-fi mystery The Quiet Earth and the bucolic farmland is the canvas for Greg Page’s supernatural thriller The Locals.

Page migrated to the region from further South in his late youth and cut his teeth making music videos for Hamilton city bands. The Locals is the only feature film in his catalogue but sums up the regions landscape, atmosphere and culture with a clarity no one else has yet too match.

Page: “We wrapped the film and while we were in post-production I went off to see this new movie everyone was talking about and it had the same kind of twist ending as ‘The Locals’. I had been beaten to it.” He was talking about M. Night Shyamalan’s The Sixth Sense.

The Locals is a smartly executed film full of ironic Kiwi sensibility. The soundtrack features superstar Waikato rockers The Datsuns and it flies by at a rapid rate of knots. Much like the Director himself. Criminally underrated it is well deserving of rediscovery and adulation.

 

 

 

The Devil Dared Me To (2007).

The dominant feature of Kiwi film humour is a strain of ironic absurdism not unlike that which you might find in Irish films and when you consider that some six hundred thousand out of a population of four and an half million claim Irish ancestry this seems a reasonable supposition.

As for the narrative: Stuntman Randy Campbell has a dream, he wants to become the world’s greatest stuntman by becoming the first person to leap across Cook on a motorcycle. Before his dream can be realised numerous obstacles have to overcome aka a classic hero’s quest. Base, absurdist, cheesy and surreal The Devil Dared Me Too is as warming as a petrol station pie on a cold day.

 

 

 

 

What We Do In The Shadows (2014).

Writer Director Taika Waititi has had a phenomenal run at the NZ box office and his films Boy (2010) Hunt for the Wilderpeople (2016) are the two biggest ever-grossing NZ films respectively.

What we do in the Shadows, made in collaboration with Jemaine Clement (Flight of the Conchords), was also a big hit and possibly one of the best examples of the dry, ‘straight-faced’ style that dominates Kiwi humour. More cohesive and refined than The Devil Dared Me To it was an instant cult classic. Perhaps our best ‘cult’ product since Hamiltonian Richard O’Brien thought up The Rocky Horror Picture Show back in the late 1960s.

 

 

 

Desperate Remedies (1993).

This is not the kind of film I would choose to see off my own bat but when I asked Geoff Lealand (Associate Professor Film and Media Studies University of Waikato and all-round doyen of all thing cinematic in NZ) what his favourite Kiwi film was he said this.

A surreal psychodrama set in early colonial New Zealand it tastes like a ‘golden age’ MGM spectacular directed by Stanley Kubrick by way of Orson Welles with Ken Russell in as the production supervisor. The result is unique, imagine ‘splatter era’ Peter Jackson on opium. A grand testament to the tightly guarded madness lurking beneath the Kiwi facade.

 

 

 

Worlds Fastest Indian (2005).

Roger Donaldson was born in Australia and migrated to New Zealand (which is confusing in itself as the migration trend is mostly the other way around) and made two defining local films: Sleeping Dogs’ (1977) and Smash Palace (1981).

After a long Hollywood stint he returned to his adopted homeland for The World’s Fastest Indian’ in 2005. Invercargill Burt Munro’s and his Indian go to America and breaks’ a number of motorcycle speed records on the salt flats of Utah along the way. Welshman Anthony Hopkins manages a reasonable facsimile of the Kiwi accent while leading a charming Biopic that is as honest as the day is long.

 

 

 

Sleeping Dogs (1977).

Roger Donaldson’s first film arrived on the scene at the most opportune moment. New Zealand was in moving headlong into a period of social upheaval and many old values were being asked hard questions and found wanting. Authoritarian Prime Minister Robert Muldoon (the model for the PM in the film?) was leading the rear guard action and this usually peaceful and bucolic land was getting restless.

Smith (a somewhat startled looking Sam Neil in his first leading role) is a typically self-possessed Kiwi bloke reluctantly drawn into the fight against a dictatorial fascist government determined to maintain the hard line.

Based on C.K Stead’s 1971 novel Smith’s Dream, this is a parable that set the nation alight and allowed us to imagine ourselves in a different way. Paradigms shifted, new doors were cast wide open and the modern NZ Film Industry was born. What followed was beautiful chaos.

 

 

 

 

Angel At My Table (1993).

The strange life of NZ writer Janet Frame is explored with inventive flair by Kiwi acclaimed filmmaker Jane Campion (The Piano).

A critical and commercial success this biopic is a riveting portrait of an artist struggling to swim with the tide. Rather than go on, here is a poem by Frame written in the last years of her life. One of the better meditations I have encountered on the subject of ageing and death. The film maintains a narrative of similar quality.

 

When the Sun Shines More Years than Fear
– Janet Frame

When the sun shines more years than fear
when birds fly more miles than anger
when sky holds more bird
sails more cloud
shines more sun
than the palm of love carries hate,
even then shall I in this weary
seventy-year banquet say, Sunwaiter,
Birdwaiter, Skywaiter,
I have no hunger,
remove my plate.

 

 

 

 

Honourable Mention:

 

Came A Hot Friday (1985).

I was not taken by it at all when I saw it many decades ago but many of my peers rate it so out of respect for them and my love of all things Billy T James I have added to the list with the intention of watching it again soon. Based on a novel by Ronald Hugh Morrieson, Came a Hot Friday concerns a couple of Grfiters getting up to all kinds of mischief in Taranaki.

Something of a rogue, Morrieson was not well considered in his Taranaki hometown of Hawera and after he died they pulled down his house to make way for a McDonald’s hoping to expunge his memory from the record. In reality all the locals managed was make Morrieson more famous. All four of Morrison’s novels have been adapted for film, as have two of his short stories.

The film features the late great Billy T James as The Tainuia Kid. According to legend James’s was the Tainuia kid from the moment he arrived on set and remained that way till the shoot was over. James’s ‘Prankster’ character is a testament to the man’s subversive comedic genius.

https://www.nzonscreen.com/title/came-a-hot-friday-1984

 

 

Billy T James as the Tainuia Kid