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One Man Bannister – The Matthew Bannister Story 

February 21, 2016

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Matthew Bannister (born 1962) arrived in Dunedin with an itch. His head was filled with dreams of The Beatles, The Kinks and Fairport Convention and a vague notion of making music like they did, big bold albums defined by great playing and lofty musical experiments, songs drenched with harmony sitting atop soaring melodies and chorus’s that hooked and wouldn’t let go. Fortunately for Matthew he was at exactly the right place and time because a musical revolution was about to sweep over Dunedin that would make that kind of dream possible for those so inclined.

Scotsman Bannister is 17 years old and swimming the unfamiliar cultural waters of Otago Boys High. On his way to join the schools guitar club he walks into David Pine. Pine points to Bannister’s guitar case and they start talking music. Inspired they are spurred into action decide to form a band but first Pine needs to learn the guitar so while that is happening Bannister joins an established covers band called Feedback. While the music is not exactly Bannister’s thing, he finds in bands leader Gavin Keen something of a mentor and in the band a suitable education.

A little while later Bannister and Pine, now studying at Otago University, put together a band called itself Sneaky Feelings. On a trip to Christchurch they come to the attention of Roger Sheppard who invites them to record for his fledgling Flying Nun label. They contribute to the labels legendary 1982 Dunedin Double E.P (alongside The Clean, The Verlaines and The Stones) and over the following 6 years record and release 6 singles and 3 albums of original material. Of the three albums it is 1986’s ‘Sentimental Education’ that gives us the best portrait of Bannister as the young artist, songwriter/arranger.

The bands first LP 1983’s ‘Send You’ had been driven by David Pine and was a great success both commercially and critically. For album number two Pine stepped back and Bannister up. Contributing half the songs, drafting the arrangements and directing recording process, this was Bannister’s baby.

Drawing deeply from his love of sophisticated pop music, this album was less Beatles (Bannister’s musical touchstone) and more Burt Bacharach, a composer Bannister had long admired and whose style had coloured Bannister’s musical palette as much as anything he had taken to heart. The Bacharachian influence abounds throughout ‘Sentimental Education’, an affair filled out with strings, brass, lush harmonies and Hammond organ, it was more Brill Building than Flying Nun and in that context went down like a lead balloon with many of the labels inner circle who had nothing but contempt for The Sneaky’s thoughtful and ‘wet’ approach to music.

Chris Knox (the labels conscience and spiritual leader) famously said to the band of the album as it was being prepared for release “I’ve heard your album and it sucks.” This statement combined with poor sales and middling reviews (from the local press, the British and European press were more enthusiastic) stalked Bannister for a long time after reinforcing his doubts and uncertainties and confirming his belief that the audience preferred Pines words and melodies to his own. Bannister took it hard.

 

Sneaky Feeling: Husband House

 

History has been much kinder to ‘Sentimental Education’ and for other Bannister penned Sneaky’s songs notably ‘Husband House’ which the subject of a loving article written by Canvas Magazines deputy editor Greg Dixon. The album has been written about a number of times over the years by a variety of people who had fallen in love with it when it was released and had never quite gotten over it.

I was one of those and in 2015 tracked Bannister down and recorded an Audio Documentary with him that explored the album’s creation and aftermath. After we had finished the documentary I asked Matthew what he had been doing since The Sneaky’s parked the van up in 1989. He pulled out his i-Pod and over a few beers dazzled me with tracks from his post-Sneaky’s catalogue.

The Sneaky’s last hurrah was a rather desultory 1989 European adventure that left Bannister washed up in Rennes France, broke, bereft and alone. He limped back to NZ and got a job at the Auckland University Library where he met multi-instrumentalist Alice Bulmer and found a new lease on life.

Alice replaced David Pine as Matthew’s main muse and together with Alan Gregg they formed The Dribbling Darts of Love, later shortened to the Dribbling Darts (Bannister, a Shakespearian scholar, lifted the name from the great mans play ‘Measure for Measure’). Between 1989 and 1993 The Darts released two albums, 2 E.Ps (through Flying Nun) and scored a minor chart hit with their 1999 single ‘Hey Judith’.

 

The Dribbling Darts Of Love: Hey Judith

 

The Dribbling Darts faded and music generally took a backseat as Bannister and Bulmer focused their attention on raising and supporting a family. Over the next few years Bannister worked as a journalist/music reviewer, checked the accuracy of crossword puzzles for the Women’s Weekly and sub-edited at Rip It Up, scrapping together a living however and wherever he could.

In the mid-1990’s Bannister decided to write a book about the Sneaky’s and get some stuff of his chest while setting the record straight. “I felt we were being written out of the label’s history and indeed out of indie history, for example our non-appearance in various articles about Flying Nun, in indie discographies, in local rock polls and worst of all, our exclusion from 1991 Flying Nun 10 year retrospective Getting Older”.

‘Positively George Street’ was published and released in 1999 to rave reviews. Part musical autobiography part historical account it examines place and time with irony, humour and at times a measured but withering acerbic fire that is squarely aimed at Bannister’s critics within Flying Nun, notably Chris Knox. There is a strong case for marking ‘Positively George Street’ as one of NZ’s best musical biographies, but whatever that case, for Bannister the writing was an exorcism that put to rest the ghosts of the past.

Suitably set free Bannister returned to University to study for his PhD (in media) graduating in 2003. His thesis later appeared as his second published book ‘White Boys, White Noise: Masculinities and 1980s Guitar Rock’. He otherwise filled out the decade playing lead guitar for The Mutton Birds (1999).

13 years after the last Dribbling Darts last release Bannister, Bulmer and their new band The Weather went into the studio with producer Ed Cake. The result was ‘Aroha Ave’, a labour of love whose long gestation came close to being financially ruinous. (Bannister describes working with the obsessive Cake both as joyous and as an exasperation he would not ever care to repeat). The album was completed in 2006 did not see the light of day until 2008 by which time the Bannister’s had moved to Hamilton where Matthew had secured a job as a Thesis Supervisor at WINTEC’s Media Arts School.

With a small financial grant in hand, he had the album mastered at the WINTEC recording studio by Zed Brooks who also polished up a home made solo album called Moth (released under the moniker One Man Bannister). Both albums received startlingly good reviews and while they did not exactly reignite his career, they certainly lifted his profile.

 

The Weather: Aroha Ave

 

By this stage the various members of The Weather had dispersed about the world so Bannister set to work on a new project called The Changing Same who released their self-titled debut album in 2011. One of Bannister’s ongoing musical themes concerns ‘place’ (a theme that is partially informed by his fear of being alone and rootless) heard in tracks like the Sneaky’s ‘Husband House’, The Weathers ‘Aroha Ave’ and most recently with The Changing Same’s ‘Hillcrest’, a descriptive song of the Hamilton suburb where Bannister lives and a song that has become something of minor city anthem alongside Chris Thompson’s ‘Hamilton’ but unlike Thompson who states ‘Greatest little town in New Zealand/But I’d do any thing to get away,’ Bannister has discovered a convivial and easy going city that suits both his needs and temperament. *(Hamilton has produced two musicians named Chris Thompson. The one mentioned here is a folk singer, not the one who became vocalist for Manfred Mann).

 

The Changing Same: Make Up My Mind

 

In 2013 Bannister watched with interest as his students tackled a recording project where they were assigned classic albums and asked to re-record them. One of the albums was The Beatles ‘Revolver’ which proved too difficult for those concerned and was abandoned but not before it had set Bannister’s creative mind into motion.

He decided to have a crack at it himself and the result was released later that year on Powertool Records to universal acclaim. Peaking at number 16 on the national album charts, One Man Bannister’s ‘Evolver’ became his most successful post Sneaky’s endeavour, both critically and commercially.

Bannister: “You release something original and the response is ‘Ho Hum’ but then you say ‘I have reinterpreted the Beatles’ and everyone is interested.” The irony has not escaped an artist who has long struggled for recognition but there was an upside. On the back of that success he was approached by boutique German cassette label Thokei Tapes who released the third One Man Bannister album ‘Birds and Bees’ in 2015.

 

One Man Bannister: Tomorrow Never Knows (Evolver)

 

Bannister played ‘Evolver’ in its entirety at the 2104 Hamilton Gardens Festival accompanied by a band and a 12-piece string section. I was a little late arriving for the performance but as I walked up the hill toward the outdoor show I was struck by the lush rich sound drifting through the warm Hamilton night.

By the time I arrived on the scene the audience was lapping up the magic Bannister was conjuring. He was mesmerising, a towering figure belting out the tunes of his youth, the very songs that had set him his musical course so many decades before and you might say he had come full circle, but he hadn’t, not quite. The full circle came with the news that Sneaky Feeling had reunited and recorded an album of new material (due for release sometime in late 2016 alongside a planned re-issue of Sentimental Education).

 

One Man Bannister: A Boy And A Girl (The Birds and Bees)

 

 

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Waikato Stories – Richard O’Brien, Riff Raff and Coffee

November 15, 2015

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For a time, 17-year-old Richard O’Brien cut hair in the Barber’s shop that sat against the grand old Embassy Movie Theatre on Victoria Street in Hamilton. When he wasn’t working he was next door watching movies. He had a special interest in horrors. A few years later he is in Britain and he comes up with an idea for a musical based on all those B-Grade double features he had soaked up in his time in Hamilton.

The Rocky Horror Picture Show opened in 1973. It was an instant hit whose enduring popularity has made O’Brien an enduring fortune.

Some year’s back they tore the old Embassy down and replaced it with a grassy knoll and a public toilet. Through the efforts of Mark Servian and the Riff Raff Public Arts Trust a statue was erected in 2004 commemorating O’Brien’s association with the city. Riff Raff did not arrive without his opposition, a small but vocal lobby group felt that ‘the statue was an inappropriate symbol for the city and might give the wrong impression.’

The Riff-Raff statue, a larger than life bronze of the gentleman in his space suit, was made by Weta Workshop and has become a major ambassadorial figure for the Rocky Horror phenomenon and the impression has been an overwhelmingly  positive one.

The River Kitchen, Metropolis and Scot’s Epicurean are close by and all offer exceptional coffee.

The River Kitchen arrived on the scene in 2007 offering contemporary Kiwi food styles based on seasonal Waikato produce and was an immediate hit. Multiple Award winners, their Lonely Planet entry draws customers from all over the world:

‘River Kitchen does things with simple style: cakes, gourmet breakfasts and fresh seasonal lunches (angle for the salmon hash), and a barista who knows his beans. It’s the kind of place you visit for breakfast, come back to for lunch then consider for breakfast the next day’.

Scott’s was opened in 2000 by the brother and sister team of Mandy and Jason Scott. This south end Café revolutionised the scene with its style and panache, qualities that have made its brand beloved and enduring.

A compact and finely tuned menu has won Scott’s a veritable trophy cabinet of awards. They introduced Alio e Olio to Hamilton and have made it into a perennial city favourite.

Metropolis truly is ‘living history’. Opened back in 1991 by another brother and sister team, Robert and Deborah Nudds, the cities first modern Café is stylistically idiosyncratic and open late. The menu is extensive and seasonal.

Between Scott’s and Metropolis is Brower’s. Second Hand Bookstores were once ubiquitous to NZ main streets, but have mostly gone the way of the Record Store in the age of the Internet. Browser’s survives partly to its proximity to the cities hospitality district.

Open till all hours, it’s an unexpected diversion after dinner and makes for an island of peace amidst the madding crowds. Browsers offers an astonishing variety of books, titles you didn’t know you wanted until you found them.

As for O’Brien, nothing he wrote after Rocky Horror even got close to touching the same heights though 1980 musical film Shock Treatment, which sank on release, is in the process of getting a stage reboot.

From 1990-94 he was the presenter of UK Channel 4’s game show, The Crystal Maze, which was in its time, was 4’s highest-rated programme. Otherwise he has kept up a regular recording schedule and acted in numerous big budget films and stage shows.

Recently, O’Brien returned to NZ and built himself a retirement villa in Tauranga. His 2010 application for NZ citizenship, (O’Brien was born in Britain, his parents migrated to NZ to farm sheep in the Bay of Plenty when he was lad), was turned down on the grounds that he was too old, (he was a robust 70 at the time).

Some awkward publicity and protests saw this decision overturned and these days O’Brien is a regular visitor to Hamilton where he can be sighted participating in various Riff Raff orientated activities. The Riff Raff Statue can be found on  Facebook and here: